Page 26 - Present-Future-September-2023
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Lot No. 15

               ATUL DODIYA
               b. 1959

               GAU–RAKSHA MEETING
               70 x 45 in (177.8 x 114.3 cm)
               Watercolour on paper
               1998
               ` 15,00,000 – 20,00,000 | $ 18,750 - 25,000

               Signed & Dated: Verso
               Exhibited: ‘Atul Dodiya: An Artist of
               Non-Violence’ at Gallery Chemould, Mumbai,
               1999.

               Exhibited: ‘Atul Dodiya: An Artist of
               Non-Violence’ at Herwitz Gallery, Ahmedabad,
               1999.

               Published: ‘Re-Imagining Bapu’ by Archer Art
               Gallery, Ahmedabad.




               Widely regarded as one of India’s most significant
               artists, Atul Dodiya gained recognition during
               the 1990s for his creations centred around
               Mahatma Gandhi. Since then, he has produced an
               extensive array of intricate paintings and works
               in other mediums focused on Gandhi, offering a
               fresh interpretation with each rendition.
               The commemoration  of India’s fifty  years  of
               independence in 1997 initially sparked Dodiya’s
               incorporation of Mahatma Gandhi’s imagery into
               his creations. Two years later, diverging from his
               usual oil-on-canvas medium, he crafted a series                       Cover of the publication.
               of watercolour paintings for a seminal collection
               titled “Artist of Non-Violence.” It drew inspiration
               from various moments in Gandhi’s life, skillfully
               juxtaposed with references from diverse sources.
               With their minimal execution, the paintings in
               the series resonate with Gandhi’s simplistic
               approach to life. Belonging to the same suite
               of works, the presented lot portrays the iconic
               scene of Mahatma Gandhi engrossed in a book
               while surrounded by visitors.

               Dodiya’s recurring depictions of the Gandhian era
               can also be traced back to his Gujarati heritage.
               He first read, Gandhi’s seminal autobiography,
               ‘My Experiments with Truth,’ in his native
               language as a teenager. Mahatma’s unwavering
               convictions in truth, love, and non-violence left a
               profound impact on the young artist.
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